Welcome to THe island
"These bones, these rocks, this ocean. A triadic altar to the past."
A table and shelf installation mock up.
Family slides from a flea market in Cornwall depicting a couples holiday from long ago, show beautiful landscapes, rocks, and echo a sense of curiosity and love for nature. Combined with my own x-rays from medical examinations, their contrast is apparent and yet they connect in the plastic material of the x-rays, slides and transparencies - a material that feels highly processed and the content is deeply personal, testaments of memories and anatomy.
The little table and shelf installation also has small rolled up scrolls for people to take away. Printed inside is a poem, A Soul Mate Premise, by Russ Ligtas, words that speak of the familiar, the most intimate details one knows only about a few people. This poem asks questions, uncertainty sits next to the factual nature of x-rays and photographs that document a moment.
The idea is for the human to be present and absent and the mundane glorified by lit candles reminiscent of an altar. The X-rays act as candle holders, and an existing one is decorated so as to bring out the content of the images like stained glass windows.
I simple and very low-fi experiment, a work-in-progress in combining 3 things that are deeply personal, from 3 separate sources, in 3 separate forms, with 3 separate purposes and from 3 separate countries.
The Soul Mate Premise by Russ Ligtas
How long has it been, brother—
sister
lover
mother
father
teacher
uncle
partner
who knows what we have been
now—friend?
And it would seem
there is no truth
since everything was and will be is
then everything is.
Therefore,
who are you now?
Is it your face
your language
the delicacy of your hands
and howmine can crush them
or protect them—
are they here
to do that?
To the who
that is you?
For you have always been a who
and now and now and now—
a name
now
fingers
now
hair
now
smell
now
height
now
feet
now
laughter
now
voice
now
hearts
now
eyes
now soul
now soul
now soul
and I am here with you,
the who that was you
is you—now
Who are you now?
And are we, finally,
finally we to do what?
And to know—
this
unfamiliar
unloneliness
after time
after age
after place
after space
after blood and wounds and war
and sex and peace and love and art
and death after life after death after life
after death
and this
all this
to know what?
To understand?
To reconsider?
To evolve?
Or to just be?
To love?
To explore?
To rearrange?
Or to just be?
To doubt?
To fear?
To hesitate?
Or to just be?
and to be here
and to be now
and to look out
with both our minds
this time, together!
names
called out
together
fingers
crossed
together
hair
grown
together
smell
experience
together
height
of existence
together
feet
march
together
laughter
loud
together
voices
sing
together
hearts
proud
together
eyes
see
together
souls
mate
together
souls
fight
souls
be
together
you together
me together
be
perhaps
just
be
For haven't we always,
haven't we always
always
been?
Photo credit 1-6: Se Ve
Photo credit 7: Anderson Muth
Photo credit 8-26: Courtesy of the artist
"These bones, these rocks, this ocean. A triadic altar to the past."
A table and shelf installation mock up.
Family slides from a flea market in Cornwall depicting a couples holiday from long ago, show beautiful landscapes, rocks, and echo a sense of curiosity and love for nature. Combined with my own x-rays from medical examinations, their contrast is apparent and yet they connect in the plastic material of the x-rays, slides and transparencies - a material that feels highly processed and the content is deeply personal, testaments of memories and anatomy.
The little table and shelf installation also has small rolled up scrolls for people to take away. Printed inside is a poem, A Soul Mate Premise, by Russ Ligtas, words that speak of the familiar, the most intimate details one knows only about a few people. This poem asks questions, uncertainty sits next to the factual nature of x-rays and photographs that document a moment.
The idea is for the human to be present and absent and the mundane glorified by lit candles reminiscent of an altar. The X-rays act as candle holders, and an existing one is decorated so as to bring out the content of the images like stained glass windows.
I simple and very low-fi experiment, a work-in-progress in combining 3 things that are deeply personal, from 3 separate sources, in 3 separate forms, with 3 separate purposes and from 3 separate countries.
The Soul Mate Premise by Russ Ligtas
How long has it been, brother—
sister
lover
mother
father
teacher
uncle
partner
who knows what we have been
now—friend?
And it would seem
there is no truth
since everything was and will be is
then everything is.
Therefore,
who are you now?
Is it your face
your language
the delicacy of your hands
and howmine can crush them
or protect them—
are they here
to do that?
To the who
that is you?
For you have always been a who
and now and now and now—
a name
now
fingers
now
hair
now
smell
now
height
now
feet
now
laughter
now
voice
now
hearts
now
eyes
now soul
now soul
now soul
and I am here with you,
the who that was you
is you—now
Who are you now?
And are we, finally,
finally we to do what?
And to know—
this
unfamiliar
unloneliness
after time
after age
after place
after space
after blood and wounds and war
and sex and peace and love and art
and death after life after death after life
after death
and this
all this
to know what?
To understand?
To reconsider?
To evolve?
Or to just be?
To love?
To explore?
To rearrange?
Or to just be?
To doubt?
To fear?
To hesitate?
Or to just be?
and to be here
and to be now
and to look out
with both our minds
this time, together!
names
called out
together
fingers
crossed
together
hair
grown
together
smell
experience
together
height
of existence
together
feet
march
together
laughter
loud
together
voices
sing
together
hearts
proud
together
eyes
see
together
souls
mate
together
souls
fight
souls
be
together
you together
me together
be
perhaps
just
be
For haven't we always,
haven't we always
always
been?
Photo credit 1-6: Se Ve
Photo credit 7: Anderson Muth
Photo credit 8-26: Courtesy of the artist