ARCHIPELAGO 2 ~ James Wolfe

The installation presents the appearance of a displaced cargo adrift on a sea of concrete. 

Metal barrels usually associated with the shipment of chemicals, emerge from the concrete to present a dystopian Zen garden in a post-industrial twilight.

ARCHIPELAGO 2 (detail)

Steel chemical barrels

Hong Kong, 2020

 

James Wolfe was born in London. On leaving school he worked as a printer and went on to study sculpture at Wimbledon school of art.

He lived in Paris and Glasgow before moving to Hong Kong in 2001. He has lived on Cheung Chau for 10 years, where he has a studio.

The work featured in Portal responds to issues stimulated by island life and our relationship to the environment



Neuroplasticity ~ chaussette b.

Neuroplasticity is the ability of neural networks in the brain to change through growth and reorganization. These changes range from individual neuron pathways making new connections, to systematic adjustments like cortical remapping. In case of chronic pain, a dozen of brain zones start to make neuronal circuits to treat the pain instead of treating what they are supposed to There is one particular zone, the posterior cingulate cortex, a brain zone which activates during visual tasks when some form of incentive is involved, essentially functioning as a neural interface between motivation-related areas and top-down control of visual attention. In case of chronic pain, 15% of this zone changes role, and starts to treat pain instead of treating its usual functions. The artist who suffers from chronic shoulder pain wants to train her brain to reshape it in a normal way. For that she daily trains her brain to visualise her cortex singular posterior instead of treating the pain in order to break the inadequate neuronal connexions . She is currently building several brain zones, one is the cortex singular posterior, seeable in her studio and this one is the olfactory bulb This art installation is the reconstitution of the neurones present in her olfactory bulb, made with old earplug, dried lychee, paint brush, cat hairs... Each neurone has a different smell as well

 

chaussette b. is a fictitious name of a plastician artist born in 1978 in France. She currently works and lives in Hong Kong. After working in the retail industry in Paris and Hong Kong for 15 years, she decided to dig out all the things she never had the time to explore. She came up with a long list of all the interests she wanted to try out, driving a truck, learning carpentry, painting, sewing leather... This exploration process led her by accident to photography in 2016; and then to paintography , a mix of photographs and painting, in 2017 Since then, she has never stopped using her camera and decided to let the accidents occurs in her life and draw her new path Nude photography came across first, she did a lot of nude portraits at her. The editing part of the photos was one of her favorite moment and she started to play around the original photographs by adding elements and painting to create a complete different story. Recently she has introduced fiber, bamboo, ropes in her work with a constant meticulously surgical approach with always some mind-bending perception intention behind.

chaussette b. 是藝名,這位藝術家於1978年在法國出生,現居香港,在此工作。 在巴黎和香港的零售業忙碌了15年後,她決心挖出一切從未有時間去探索的興趣。 開卡車、學木工、繪畫、皮藝製作……所有她感興趣想嘗試的事物最終匯成了一份長長的清單。 探索這一系列興趣的過程在2016年偶然引她進入了攝影領域。 在那之後,她再未放下相機。她決定繼續這次生命的偶然,以此開闢新的道路。 人體攝影是她最初的繆斯,初時的她拍攝了大量人體攝影作品。時至今日,在人像攝影工作之餘,她依舊享受着人體攝影創作的愉悅。

https://www.chaussetteb.com/

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18:45-26.03.2021 ~ Nelson Hiu & Hakgwai

This live improvisation by Nelson Hiu & Hakgwai took place on the ferry to celebrate the Inter-island Festival 2021 opening ceremony.

Audio recording by Vanessa Lai
Courtesy of Inter-island Festival
Photo credit: Mark Li

 
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Nelson Hiu
Born and raised in Hawaii, Nelson studied ethnomusicology at the University of Hawaii. He has worked as a dance accompanist and participated in a wide variety of sound making situations from free improvisation to noise punk reggae jazz post folk and structured academic chance happenings.

陳柏達
在聲音之林中尋尋覓覓。
放眼望去盡是未走之途。

Nelson Hiu
夏威夷土生土長,並於夏威夷大學修讀民族音樂學。曾任伴奏演出者,及參與不同類型音樂演出,自由即興噪音搖滾雷鬼爵士等等等等。Nelson最近開展了新的一章……

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Lau Chun-Ho, Hakgwai is a musician from Hong Kong who engages in various cross-media music performances, music educational programmes, meditative workshops and street performances. Playing a wide range of international musical instruments, such as the Australian Didgeridoo, Handpan, Mongolian Throat Singing, Erhu, Pipa, Guzheng, Qin Xiao, Flute, Matouqin, Asalato, Djembe, Guitar, Mouth Harp, as well as beatboxing, he digs into the ancient culture heritages of the world. Combining instruments in an electronic style with the looper effect, he plays solo performances around the world.

Hakgwai是來自香港的音樂人,定居於南丫島,從事各類跨媒體舞台音樂演出、音樂教育、禪修推廣及街頭表演。涉獵Handpan、Didgeridoo、二胡、琵琶、古箏、琴簫、笛子、葫蘆絲、馬頭琴、Asalato、Djembe、結他、頌缽、口弦和Beatboxing等多種古老文化傳承以及世界傳統民族樂器,擅長配合looper效果器結合以上各種樂器作獨奏演出。黑鬼經常在世界各地表演,多年經驗累積令他更能以獨奏或街頭表演的方式遊走世界各地。


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Grain of Light ~ Mikiya Takimoto

 
 

“The sunlight reflects off the rippling surface of the ocean and creates thousands of particles of light. This incessant, inevitable process is also a succession of momentary miracles, no two of which are ever alike. I wanted to preserve these ephemeral particles of light and the act that has been producing them ceaselessly since primordial times on Earth.”

In this series of stunning photographs, Mikiya Takimoto expresses a fascination with the sea and its movements. Abstract fields of frothing water, glimmering expanses of ripples, and cresting waves like snow-capped mountains are all portrayed in a palette of icy whites and blues. Often it is as if the viewer is peering down at the surface of our planet from high above, able to observe immense, frozen landscapes with their tectonic swirls, upheavals and rifts. Captivating and sublime work from this Japanese master.

陽光從波濤洶湧的海洋表面反射,並產生數千個光粒子。 這不斷、不可避免的過程,是瞬時一連串的奇蹟,並沒兩樣。 我想保留這些短暫的光粒子以及自原始時代以來就不斷產生的光影。”“-Mikiya Takimoto道。 在一系列令人驚嘆的照片中,Mikiya Takimoto表達了對海洋及其運動的著迷。 泛起白沫的水,閃爍的漣漪和雪山等頂峰的抽象領域都用冰冷的白色和藍色調描繪。 通常情況下,觀看者好像是從高空凝視著我們的行星表面,能夠通過其構造旋渦,動盪和裂谷觀察巨大的冰凍景觀。 這位日本大師的作品令人著迷和崇高。

陽の光が海面の揺らぎに反射して幾千もの光の粒をつくる。常に動き続けるこの必然的な行為は、二度と同じものがうまれ得ない瞬間的な奇跡の連続でもある。原初の地球から果てしなく続いていく行為、その刹那の光の粒を大切に露光してみようと思った。


A Japanese photographer and cinematographer, born in Japan in 1974, Mikiya Takimoto started taking photos at the age of 16. He worked at various studios, including that of Tamotsu Fujii, becoming independent in 1998. Alongside his photographic work, he films with the director Hirokazu Kore-Eda, collaborating on films such Soshite Chichi ni Naru (“Like Father, Like Son”), winner of the Jury Prize at the 2013 Cannes Film Festival, and Sandome no Satsujin (“The Third Murder “), which competed in 2017. The photographic work of Mikiya Takimoto is rooted in time, over the seven continents, often in extreme conditions under complex protocols. It requires a long drawn out photographic process to achieve these unique images, each one of which carries within it the symbolism of a global momentum. His work has been published in a dozen books and shown at multiple exhibitions.

1974年出生於日本的日本攝影師和電影攝影師, Mikiya Takimoto於16歲開始拍照。他曾在藤井健攝等不同的製片廠工作,並於1998年成為獨立人士。除攝影作品外,他還與導演廣田裕一(Hirokazu Kore-Eda)一起拍攝電影,並與Soshite Chichi ni等電影合作 2013年戛納電影節評審團獎獲得者Naru(“像父親一樣,喜歡兒子”)和2017年參賽的Sandome no Satsujin(“第三次謀殺”)。moto本美也的攝影作品植根於時間 在七大洲,通常是在復雜條件下的極端條件下。 要獲得這些獨特的圖像,需要經過漫長的攝影過程,每幅圖像中都帶有全球勢頭的象徵意義。 他的作品發表在十幾本書中,並在多個展覽中展出.

http://mikiyatakimoto.com/

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